Jazz and Blues

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TITLE="Pop and Rock"><B><U>Music</U></B></A></div> <div> <A HREF="poprock.htm" TARGET="_top" TITLE="Pop and Rock"><U>Pop/Rock</U></A></div> <div> <B>Jazz/Blues</B></div> <div> <A HREF="classics.htm" TARGET="_top" TITLE="Classical"><U>Classical</U></A></div> <bR> </td> <td valign="top" height=380 width="100%" BGCOLOR="#FFFFFF" TEXT="#080000"> <div> <TABLE BORDER="0" CELLPADDING="1" CELLSPACING="1" WIDTH="588" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#DDDDDD" FRAME="VOID" RULES="NONE" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#DDDDDD HEIGHT= 16 ><NOBR><div> <B>LPs To Die For                                                                                                                                 Page</B> <A HREF="poprock.htm" TARGET="_top" TITLE="Pop and Rock"><U>1</U></A> <FONT SIZE="2" COLOR="#FF0000" FACE="Arial" ><B>2 </B></FONT><FONT SIZE="2" COLOR="#330000" FACE="Arial" ><A HREF="classics.htm" TARGET="_top" TITLE="Classical"><U>3</U></A></FONT></div> </NOBR></tD> </tR> </TABLE></div> <div> <TABLE BORDER="1" CELLPADDING="0" CELLSPACING="0" WIDTH="678" BORDERCOLORLIGHT="#330000" BORDERCOLORDARK="#EEEEEE" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#660099 HEIGHT= 20 WIDTH="120"><div> <B>Album </B></div> </tD> <tD VALIGN=TOP BGCOLOR=#660099 WIDTH="475"><div> <B>JAZZ / BLUES</B></div> </tD> <tD VALIGN=TOP BGCOLOR=#660099 WIDTH="75"><div> <B>Price</B></div> </tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 81 WIDTH="120"><div> <B><IMG SRC="11be4b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <FONT SIZE="3" COLOR="#000000" FACE="Arial" ><B><IMG SRC="11973a280.png" border=0 width="58" height="40" ALIGN="LEFT" HSPACE="0" VSPACE="0"></B></FONT><B>Classic Encore Series - </B><B>Miles Davis - Kind of Blue</B> The most successful Jazz album in history is back in print from Classic Records.</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $32.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 82 WIDTH="120"><div> <IMG SRC="11264b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"><B>Jazz At the Pawn Shop</B><FONT SIZE="2" COLOR="#996633" FACE="Arial" ><B> - </B></FONT><B>Volume 1. </B>This album, recorded in 1976, has been regarded as "The Best Jazz Recording of the Century"!  Audiophiles all over the world should have already be in possession of one. <B>Jazz At The Pawnshop</B> has always been among the very best and most natural-sounding recordings of a small jazz combo recorded live. <B>2LP</B> set</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $55</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="a15370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 82 WIDTH="120"><div> <B><IMG SRC="11ca4b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B>200gm LP Reissues Billie Holiday - Songs for Distingue Lovers</B></div> <div> Down Beat's West Coast editor John Tynan gave this a four star review, remarking that it is, "...loose, utterly relaxed, a top flight solo work." The great Lady Day is backed by Harry Edison's trumpet, Ben Webster on tenor sax, Jimmy Rowles on Piano, Barney Kessel on guitar, Red Mitchell on bass and Alvin Stoller on drums.</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $32.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 81 WIDTH="120"><div> <B><IMG SRC="11684b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B>Classic Encore Series (featuring QUIEX SV-P 200gm)</B></div> <div> <B>The Dave Brubeck Quartet - Time Out</B></div> <div> Also available in rare <B>4-disc set  45 rpm, 12-inch, Single-sided Collectors Ser. 200g RPM</B></div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4 WIDTH="75"><div> $29.95</div> <div> <B>4-disc set 45rpm</B> $55</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="a15370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 184 WIDTH="120"><bR> <bR> <div> <B><IMG SRC="13fb4b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <FONT SIZE="3" COLOR="#000000" FACE="Arial" ><IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"></FONT><B>Herbie Hancock- CLP7050-1 Takin' Off - </B>His Blue Note debut, is a sophisticated showcase for Hancock’s ability as a group leader. Not as intellectually challenging or technically complex as his later recordings, the pianist nevertheless displays a restless imagination and technical verve. When he’s not striking off on funky, swinging solos, the backing chords are restrained and unassuming. He’s controlling the session and confident enough to let his soloists (Freddie Hubbard on trumpet and Dexter Gordon on tenor sax—both in fine, relaxed form) take the spotlight. From the now-legendary hit “Watermelon Man” to the reflective, noir-ish “Alone and I,” this is a great first album that foreshadows the greatness that would follow on his Blue Note masterworks, Empyrean Isles, and Maiden Voyage.</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <bR> <bR> <div> $29.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 151 WIDTH="120"><bR> <div> <IMG SRC="13ff4e4e0.jpg" border=0 width="78" height="78" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <FONT SIZE="3" COLOR="#000000" FACE="Arial" ><IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"></FONT><B>Wes Montgomery - </B>CLP8672 <B>California Dreaming. </B>Like most of Montgomery’s Verve LPs, California Dreaming features arrangements by Don Sebesky. Sebesky used a large group of 19 players to produce an immense sound. Unlike the subdued, string accented Bumpin, California Dreaming is a brassy, bouncy affair (with definite emphasis on bounce!). The album features many fine soloists, including Herbie Hancock on piano, Bucky Pizzarelli on acoustic guitar, Ray Baretto on percussion, and the steady backbeat of Grady Tate on drums.</div> <div> This album is a must have for all music lovers, and now with superior all-analog mastering and silent <B>180-gram vinyl</B> it’s a treat for the audiophile as well!</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <bR> <bR> <div> $29.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 86 WIDTH="120"><div> <IMG SRC="11d650500.png" border=0 width="80" height="80" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0><NOBR><div> <FONT SIZE="3" COLOR="#000000" FACE="Arial" ><IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"></FONT><B>Tsuyoshi Yamamoto Trio -  </B>TBM30 <B>Misty</B> - 180GRAM LP</div> <div> <B>Side A</B>: 1. Misty  2. Blues  3. Yesterdays</div> <div> <B>Side B</B> 1. Honey Suckle Rose  2. Smoke Gets In Your Eyes</div> <div> 3. I Didn't Know What Time It Was  4. Angel Eyes </div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $29.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 238 ><NOBR><div> <IMG SRC="146255550.jpg" border=0 width="85" height="85" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <B>Side A</B>:</div> <div> 1. The Way We Were </div> <div> 2. Girl Talk</div> <div> <B>Side B</B>:</div> <div> 1. Gone With The Wind </div> <div> <B>Side C</B>:</div> <div> 1. Take The "A: Train </div> <div> 2. I Love You Porgy </div> <div> <B>Side D</B>:</div> <div> 1. What Now My Love </div> <div> 2. Autumn In New York </div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"><FONT SIZE="2" COLOR="#000000" FACE="Arial" ><B>Yama & Jiros Wave (Tsuyoshi Yamamoto Trio)</B></FONT></div> <div> Three Blind Mice 2559-45 <B>Girl Talk. Limited Edition  45-RPM 180G LP </B></div> <div> Completing a "Trilogy" of great records that started with Midnight Sugar and Misty.  <B>Girl Talk</B> solidified Tsuyoshi Yamamoto's reputation as Japan's premier Jazz Pianist. All three records feature amazaling life-like recordings by Yoshihiko Kannari, making them perfect for Cisco music's definitive 45-RPM Limited-Edition 180G LP's. <B>Girl Talk</B> was cut by the legendary <B>JVC Disk Mastering </B>Engineer Tohru Kotetru and supervised by Takeshi "Tee" Fujii for the same brilliant sonics and unsurpassed musicality that made Cisco's 45-RPM <B>Midnight Sugar</B> and <B>Misty</B> the fastest selling titles in their history. </div> <bR> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <bR> <bR> <bR> <div> $49.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 81 WIDTH="120"><div> <IMG SRC="13874b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> New Arrival<FONT SIZE="2" COLOR="#000000" FACE="Arial" ><B> Stacey Kent - Dreamsville (180g Import LP)</B></FONT></div> <div> Jazz Vocalist Stacy Kent is an exceptional ballad singer. From BBC Music Magazine: "<I>Dreamsville is a superb addition to an already highly distinguished series of albums by one of the finest interpreters of a song since Ella Fitzgerald."                 </I></div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4 WIDTH="75"><div> $29.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="41f2a0a0.jpg" border=0 width="42" height="10" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 82 WIDTH="120"><div> <IMG SRC="113d4b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"><B><IMG SRC="11403a280.png" border=0 width="58" height="40" ALIGN="LEFT" HSPACE="0" VSPACE="0">Sarah Vaughan - You're Mine You</B><I>  </I>Another breathtaking set of recordings by the 'Sassy' one, this 1962 release, originally from the Roulette label boasts a dozen lush and lilting romantic tunes arranged by Quincy Jones. Featuring a mix of full band, strings and writing for additional brass and wood winds, each chart compliments Vaughan's vocal moods. </div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><div> $29.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="a15370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 134 WIDTH="120"><bR> <bR> <div> <IMG SRC="11dc4b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B>Art Pepper - </B><B>Meets The Rhythm Section - </B><FONT SIZE="2" COLOR="#0000FF" FACE="Arial" ><B>45RPM 2LP Set</B></FONT><B> -</B> "Blazing 1958 session with the West Coast alto saxophonist Art Pepper, at the height of his fluency, joining up with Miles Davis' rhythm section of the day (Red Garland, Paul Chambers, and Philly Joe Jones). The band rips through the sheets in a way we don't hear on the pressure-cooking Miles sessions. Roy DuNann's minimalist miking yields an eerily realistic sound. The sounds burst out of your speakers, yet lay back when they're supposed to, too." - Fred Kaplan, The Absolute Sound, December 2005 (included in Kaplan's "Best-Sounding Jazz LPs") </div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4 WIDTH="75"><bR> <bR> <div> $99.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Limited Stock</B></div> </tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 115 WIDTH="120"><bR> <div> <IMG SRC="167d50500.jpg" border=0 width="80" height="80" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B>Sonny Rollins - Way Out West - Analogue Production</B><FONT SIZE="2" COLOR="#3300CC" FACE="Arial" ><B> 45RPM Limited Edition</B></FONT></div> <div> Mastered off the original 2-track tape recorded with a tube AKG-C12 microphone on a tube Ampex 350 machine. Features Ray Brown on bass and Shelly Manne on drums. Over his long and distinguished career, Sonny Rollins has made many dozens of albums. Among those recorded during the fifties, Prestige's Movin' Out and Colossus, Blue Note's A Night at the Village Vanguard, Riverside's The Sound of Sonny, and Way Out West on Contemporary qualify as all-time Rollins classics.</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4 WIDTH="75"><bR> <div> $99.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Limited Stock</B></div> </tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 132 WIDTH="120"><bR> <div> <IMG SRC="11b94b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"><B>Jacintha - Here's To Ben-Groove Note Records.</B> In this album, Jacintha's  tribute to the legendary tenor saxophone player: Ben Webster. The songs have been specially selected to reflect this premise, i.e. they are mostly great vocal standards and/or ballads that have been recorded by Webster many times and are thus associated with his particular style and name. Some of these songs like Stardust, How Long Has This Been Going On, Georgia and Our Love is Here to Stay, Over The Rainbow are Webster classics. Also included is the audiophile bonus cut, The Look of Love.</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $29.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 115 WIDTH="120"><bR> <div> <B><IMG SRC="112f4b4b0.jpg" border=0 width="75" height="75" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0"><B>45rpm 2LP</B> - <B>Tango - Groove Note.  </B>A collection of world reknown tango pieces by the world greatest romantic guitarists - Laurindo Almeida and Charlie Byrd. A long time audiophile favorite and one of the best sounding recordings in the Concord catalogue, the album features two top guitarists of our time playing jazz versions of some great standards and other tunes like "Orchids In The Moonlight", "Blue Tango", "Jalousie". Guaranteed to make your system sound good.</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $34.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="a15370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 297 WIDTH="120"><bR> <div> <B><IMG SRC="14014c4c0.jpg" border=0 width="76" height="76" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> <div> <B>SIDE 1:</B></div> <div> 1. I'm going to live the life I sing about in my song </div> <div> 2. But for now</div> <div> 3. Ask me now (how I wish)</div> <div> 4. Throw It Away</div> <div> 5. Alone Together</div> <div> <B>SIDE 2:</B></div> <div> 1. Comment allez vous?</div> <div> 2. Dansez Sur Moi (GIRL TALK)</div> <div> 3. Le Jazz Et La Java</div> <div> 4. Les Moulins Des Mon Coeur</div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B><IMG SRC="10741f1e0.jpg" border=0 width="31" height="30" ALIGN="LEFT" HSPACE="0" VSPACE="0">Ilona Knopfler - CLP7044 Live The Life - </B>Mastered from Analog Master Tapes by Kevin Gray, <B>Live The Life</B> is breezy, soulful and very continental in an age where globalized music is becoming increasingly homogenized. Discover a great new artist in full bloom!</div> <div> "<I>Ilona bedazzes with a light, airy, crystal voice, superbs chart and lavish production.</I>"--<B>Downbeat</B></div> <div> "<I>On this highly entertaining offering, she eloquently alternates the harmonic rhythm, supportive and interactive comping, and soloist"s viewpoint in two languages with seamless ease and professionalism</I>."--<B>All Music Guide</B></div> <div> "<I>Think of her as a one-woman Manhattan Transfer infused with vivaciously urbane perspicacity</I>."--<B>J</B><B>azz Times</B></div> <div> <B>"</B><I>Say hello to a stunning voice on what could be the best jazz album of the year</I>."<B>--Jazzreview.com</B></div> <div> "<I>Knopfler blends French and English on many tracks and shows us how effortlessly it can be done</I>.."--<B>CDReviews.com</B></div> <div> "<I>Her vocalizing is easy on the ears, with a gently swing and pleasingly smooth sound</I>."--<B>Princeton Jazz Fest</B></div> <div> <I>"In a batch of 100 jazz singers, Ilona Knopfler would stand out.</I>"--<B>L.A. Jazz Scene</B></div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <bR> <bR> <bR> <bR> <div> $29.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="a15370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 118 WIDTH="120"><bR> <div> <B><IMG SRC="140650500.jpg" border=0 width="80" height="80" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B><IMG SRC="11403a280.png" border=0 width="58" height="40" ALIGN="LEFT" HSPACE="0" VSPACE="0"></B><FONT SIZE="2" COLOR="#000000" FACE="Arial" ><B>Kenny Burrell - Blue Lights, Volume One STEREO 200G EMI</B></FONT></div> <div> Mastered and cut from the original <B>TWO TRACK</B> master tapes (running simultaneously with the full track mono master) using ALL TUBE tape electronics and cutting system allowed Bernie "BeBop" Grundman to extract every nuance on the tapes which adds to the magic of this Rudy Van Gelder recording. This is the real deal and it is done perfectly from mastering through to the authentic laminated cover art (front only) to the "deep groove" in the center label. </div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $32.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 98 WIDTH="120"><div> <B><IMG SRC="140b4f4e0.jpg" border=0 width="79" height="78" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B><IMG SRC="11403a280.png" border=0 width="58" height="40" ALIGN="LEFT" HSPACE="0" VSPACE="0">Duke Ellington-Jazz Party-Columbia CS 8127-200G </B></div> <div> The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life by Classic Records. Dizzy'y spectacular trumpet blooms amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever.</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <div> $32.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> <tR> <tD VALIGN=TOP BGCOLOR=#CCCCE4 HEIGHT= 249 ><NOBR><div> <B><IMG SRC="146455550.jpg" border=0 width="85" height="85" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></B></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#FFFBF0 WIDTH="475"><div> <B><IMG SRC="11403a280.png" border=0 width="58" height="40" ALIGN="LEFT" HSPACE="0" VSPACE="0"></B><FONT SIZE="2" COLOR="#000000" FACE="Arial" ><B>Lou Donaldson - Blues Walk </B></FONT></div> <div> <B>EMI BST 81593-Stereo-200G</B></div> <div> An alto player originally deep-rooted in bop, who by the late fifties was beginning to shed his Charlie Parker influences and take a more bluesy/soul approach. Blues Walk, from a one-day session in July of ‘58 has attained unanimous five-star status with the title track itself becoming one the leader’s signature tunes. Surrounding himself not with the usual all-stars found on many Blue Note dates from this period, Donaldson carefully chose his cohorts personally for their cohesiveness as a unit. Never one to engage frequently in wide-open “blowing sessions”, the results are powerful yet melodic and in one case, “Autumn Nocturne”, fairly romantic without causing full-blown diabetes. Pianist Herman Foster’s intense pianistics almost steal the show while Peck Morrison’s bass and the often-overlooked Dave Bai! ley’s d rumming augment to perfection. The addition of Ray Barretto’s congas (a regular on many of Donaldson’s sessions from this period) is tasteful and a nice touch without turning every song into a Latin re-write</div> </tD> <tD VALIGN=TOP BGCOLOR=#CCCCE4><NOBR><bR> <bR> <bR> <div> $32.95</div> <div> <A HREF="https://fs3.formsite.com/audiomax/AudioMaxForm/secure_index.html" TARGET="_blank" TITLE="https://fs3.formsite.com/audiomax/AudioM"><IMG SRC="117f370d0.jpg" border=0 width="55" height="13" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <div> <B>Available</B></div> </NOBR></tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="1" CELLSPACING="1" WIDTH="679" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#DDDDDD" FRAME="VOID" RULES="NONE" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#DDDDDD HEIGHT= 16 WIDTH="675"><div> <B>Page</B> <A HREF="poprock.htm" TARGET="_top" TITLE="Pop and Rock"><U>1</U></A> <FONT SIZE="2" COLOR="#FF0000" FACE="Arial" ><B>2 </B></FONT><FONT SIZE="2" COLOR="#330000" FACE="Arial" ><A HREF="classics.htm" TARGET="_top" TITLE="Classical"><U>3</U></A></FONT></div> </tD> </tR> </TABLE></div> <DIV ALIGN="LEFT"></DIV> <div> <A HREF="index.htm" TARGET="_top" TITLE="AUDIOMAXLTD"><B><U>Home</U></B></A><B>  |  </B><A HREF="salespolicy.htm" TARGET="_top" TITLE="sales policy"><B><U>Shipping Policy</U></B></A><B>  |  </B><A HREF="salespolicy.htm" TARGET="_top" TITLE="sales policy"><B><U>Sales Policy</U></B></A><B>  |  </B><A HREF="contact.htm" TARGET="_top" TITLE="contact"><B><U>Contact Us</U></B></A></div> <div>  <script src="http://www.google-analytics.com/urchin.js" type="text/javascript"> </script> <script type="text/javascript"> _uacct = "UA-1115764-1"; urchinTracker(); </script>  </div> <bR> </td> </tr></table></body>